Whistles Book Club: Women’s Prize For Fiction 2020
The Women’s Prize for Fiction is back and yesterday, the six books that have made the 2020 shortlist were announced. Now in its 25th year, the Prize celebrates excellence, originality and accessibility in writing by women in English from throughout the world. If you’re seeking inspiration for your reading list this month, look no further, this is the perfect place to start.
“We are all living in challenging, sad and complex times so incredible stories provide hope, a moment of escape and a point of connection now more than ever. Choosing the shortlist was tough – we went slowly and carefully and passions ran high – just as you would want in such a process. But we are all so proud of these books – all readers will find solace if they pick one up.” – Chair of the Judges, Martha Lane Fox
Fifteen-year-old Ana Cancion never dreamed of moving to America, the way the girls she grew up with in the Dominican countryside did. But when Juan Ruiz proposes and promises to take her to New York City, she has to say yes. It doesn’t matter that he is twice her age, that there is no love between them. Their marriage is an opportunity for her entire close-knit family to eventually immigrate. So on New Year’s Day, 1965, Ana leaves behind everything she knows and becomes Ana Ruiz, a wife confined to a cold six-floor walk-up in Washington Heights. Lonely and miserable, Ana hatches a reckless plan to escape.
In bright, musical prose that reflects the energy of New York City, Angie Cruz’s Dominicana is a vital portrait of the immigrant experience and the timeless coming-of-age story of a young woman finding her voice in the world.
This is Britain as you’ve never read it. This is Britain as it has never been told.
From Newcastle to Cornwall, from the birth of the twentieth century to the teens of the twenty-first, Girl, Woman, Other follows a cast of twelve characters on their personal journeys through this country and the last hundred years. They’re all looking for something – a shared past, an unexpected future, a place to call home, somewhere to fit in, a lover, a missed mother, a lost father, even just a touch of hope.
On a summer’s day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home?
Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London. Neither parent knows that one of the children will not survive the week.
Hamnet is a novel inspired by the son of a famous playwright. It is a story of the bond between twins, and of a marriage pushed to the brink by grief. It is also the story of a kestrel and its mistress; flea that boards a ship in Alexandria; and a glovemaker’s son who flouts convention in pursuit of the woman he loves. Above all, it is a tender and unforgettable reimagining of a boy whose life has been all but forgotten, but whose name was given to one of the most celebrated plays ever written.
This was never the story of one woman, or two. It was the story of all of them.
In the middle of the night, Creusa wakes to find her beloved Troy engulfed in flames.
Ten seemingly endless years of brutal conflict between the Greeks and the Trojans are over, and the Greeks are victorious. Over the next few hours, the only life she has ever known will turn to ash.
Powerfully told from an all-female perspective, A Thousand Ships gives voices to the women, girls and goddesses who, for so long, have been silent. This book is perfect for fans of Madeline Miller and Pat Barker.
‘If you cannot speak truth at a beheading, when can you speak it?’
England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, before Jane dies giving birth to the male heir he most craves.
In The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision and of a modern nation making itself through conflict, passion and courage.
Lizzie Benson slid into her job as a librarian without a traditional degree. But this gives her a vantage point from which to practise her other calling: as an unofficial shrink. For years, she has supported her God-haunted mother and her recovering addict brother. They have both stabilized for the moment, but then her old mentor, Sylvia Liller, makes a proposal. Sylvia has become famous for her prescient podcast, Hell and High Water, and wants to hire Lizzie to answer the mail she receives: from left-wingers worried about climate change and right wingers worried about the decline of western civilization.
As she dives into this polarized world, she begins to wonder what it means to keep tending your own garden once you’ve seen the flames beyond its walls. When her brother becomes a father and Sylvia a recluse, Lizzie is forced to acknowledge the limits of what she can do. But if she can’t save others, then what, or who, might save her?
From the author of Dept. of Speculation, this is a dazzling novel about hope and despair, fear and comfort as it plays out in times of environmental and political turbulence.